At the existentialist cemetery

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You know you are a true taphophile when it’s your first morning in Paris and you’re already at the cemetery before 9am. But then Parisian cemeteries are the best. I visited the one in Montparnasse many years ago during my first trip to the city on a freezing cold but bright Sunday with my father who couldn’t have imagined anything less appealing. I remember seeing the graves of Serge Gainsbourg with its cabbages and metro tickets, Jean Seberg’s and that of Jean-Paul Sartre and Simone de Beauvoir to whom I made my first point of call this time too which seemed quite logical as I had just walked past La Rotonde on my way from the metro, above which which she was born.

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If you decide to go to Montparnasse cemetery, pick up a laminated plan close to the entrance which will help you find the graves you’re looking for and I also recommend the book Stories in Stone, full of great photos and fascinating anecdotes. But let yourself just wander too. I love coming across wonderful surprises such as a giant cat sculpture by Niki de Saint Phalle, the little dog on Philippe Noiret’s grave which makes me love him even more and many more interesting graves of ordinary people which allowed me a glimpse of their lives.

You encounter such interesting people in cemeteries too – a Japanese couple called out to me to help them find the grave of painter Chaim Soutine, later on the woman called me over again and shouted something unintelligible. “Coco Chanel, fashion designer!”, I finally understood. No, I told her. She’s buried in Switzerland, this is the grave of Paul Deschanel, a former French President. I have never found cemeteries depressing places – for me, they are wonderful spaces to walk and reflect, havens for nature and art and an opportunity to pay homage to those I admire.  I left after three hours, feeling hungry and a little tired but so happy to have spent a morning in such illustrious company, only regretting later that I had failed to visit Delphine Seyrig. If you go there, please pay your respects on my behalf.

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The grave of Henri Langlois, founder of the Cinémathèque Française

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The Baudelaire Cenotaph. He is buried nearby with his mother and hated stepfather.
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The grave of Kate Barry, Jane Birkin and John Barry’s daughter and photographer.

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The grave of artist Sophie Calle’s mother who used to tell people she was Ava Gardner and had 4000 lovers.

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The blue hour in Paris

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L’heure bleue by Guerlain is one of my very favourite perfumes, conjuring up the elegance and beauty of long summer evenings in the garden. And yet the blue hour in Paris is even more intoxicating. The softness of the light on those magnificent buildings and the flickering of car headlights and streetlamps as evening starts to fall. Pausing by one of the many charming squares and parks to catch a glimpse of the explosion of colour which has suddenly emerged after a brutally long winter, you suddenly smell the most heavenly perfume ever created (Guerlain and even Chanel can’t come close) – that of night scented flowers with their white petals standing out against the approaching darkness. I love the wide avenues and boulevards meant for walking and found it impossible to stop that first evening, strolling as far as the Pont Alexandre III and looking across to see a shimmering Eiffel Tower. April in Paris is certainly a cliché but like most clichés, it’s difficult to beat.

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The museum I call home

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I love the Musée d’Orsay for many reasons. First of all because it’s in a former train station, the Gare d’Orsay, an architectural masterpiece which reminds us of the golden age of steam. An age when travel could be elegant and railway stations weren’t just shopping centres. There’s a fabulous story of how Jeanne Moreau went to visit Orson Welles in his suite at the Hôtel Meurice overlooking the Tuileries gardens (how I envy him!) and he spotted two twin moons across the river which she explained were the railway clocks. Captivated, they rushed out in the night for a closer look and the station was later brilliantly used in his adaptation of Kafka’s The Trial. But back to me. I have been going there so long that this place almost feels like home. It helps that I feel like I belong in 19th and early 20th Century France – many of the works of art even feel like old friends. Daumier’s Célèbrités du Juste Milieu, paintings of Scapin and Don Quixote with the dead mule, Millet’s The Gleaners, Manet’s portrait of Zola, Olympia and that astonishing asparagus, Robert de Montesquieu by Boldini, Proust by Jacques-Émile Blanche (although this wasn’t on display last time which is outrageous), the Gates of Hell and that sculpture of Balzac by Rodin, Courbet’s Burial at Ornans and The Artist’s Studio (last time I visited the museum I bought a book about Proust, only to discover an inadvertently stolen postcard of Courbet’s Origin of the World which is my least favourite painting there, surely hidden away by a schoolboy), Pompon’s Polar Bear and Owl, all that Art Nouveau furniture and glass. It’s torture trying to see everything until overcome by exhaustion, I must accept defeat and head for the exit. Until next time.

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Winter in London

 

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I must admit that leaving the house just after 7am in the dark and the freezing rain made me almost call the whole thing off. By the time I boarded the train for London, my hands and feet were so cold that I spent the entire train journey bundled up in my coat, scarf and gloves, trying to warm my fingers with lots of tea. But then the sight of the magnificent St. Pancras station never fails to lift my spirits and I hurried down the platform to meet Amanda and Sharly by the statue of the great Sir John Betjamin. The first time I met Amanda it was in the same spot but during one of the hottest weeks ever. This time, the contrast in the weather couldn’t have been greater but we still had a wonderful day in spite of the rain. The Winnie the Pooh exhibition at the V&A was sold out but we went to the new Ocean Liners: Speed and Style instead which was just fabulous. I’ve always had a soft spot for vintage photos and posters from the golden age of travel and there were plenty here, along with gems such as The Duke of Windsor’s Goyard trunks which straight away made me think of my friend Jan, Marlene Dietrich’s suit, socialite Emilie Grigsby’s Paul Poiret satin trousers and dresses, a Louis Vuitton vanity set, plus beautiful furniture, panelling and music by Fred Astaire and clips from classic films like Gentlemen Prefer Blondes to enjoy.

After lunch, we headed for Harrod’s, then Fortnum’s, then Hatchard’s where my energy flagged and I collapsed on a sofa in the art section with my bags full of exhibition merchandise, makeup and tea around me. We said our goodbyes in Burberry where Amanda was trying on a beautiful coat. It’s a shame we don’t live closer but I’m already looking forward to our next meeting in Berlin, Paris, London, New York or somewhere different.

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An afternoon at the Louvre

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I have always had a love/hate relationship with the Louvre. On the one hand, it’s an undeniably magnificent collection in a beautiful building with such a remarkable history. On the other hand, the collection is so vast that I never manage to see more than 0.0001% of what they have on display. There are parts of the museum I have never yet ventured into and at the end of every visit, I retire defeated, certain that I could stay there for months, years even, and still not see everything. Perhaps I should find two friends and just run through the whole thing in record time like in Jean-Luc Godard’s Bande à Part.

To be fair, it was 16 years (!) since my last visit and returning there last December brought back nothing but happy memories. On a rainy winter’s afternoon, I decided to make my way to the famous pyramid entrance after killing time dodging puddles in the Tuileries before my timed ticket was valid. I needn’t have worried – to my astonishment, there was no queue at all to get in and I descended the familiar spiral staircase, happy to discover that everything was pretty much the same. Part of my trouble at the Louvre comes from the French Romantics – I can never resist going to those galleries first to see those vast canvases by Géricault, David, Delacroix and the rest, and end up spending far too long there but this at least time I avoided the crowds in front of the Mona Lisa after the disappointment of my first ever visit when I couldn’t believe that such a famous painting was so small and protected behind glass.

After that I only had the energy to visit the sumptuous Napoleon III apartments which made me want to have the rooms of my home decorated in red and gold and invest in a chandelier and fabulous plants. But I’m already planning my next visit to the Louvre when I won’t head straight for the French Romantics. Since my last visit, they have opened an Angélina’s close the Second Empire apartments where you can sit on chairs upholstered in gris montaigne and savour one of their ridiculously thick hot chocolates before trying to see another 1% of the Louvre’s collection instead of an indifferent coffee and a macaron at the regular café. I can’t wait.

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I dream of Dior

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It was Dior that made me book the Eurostar tickets. After persuading myself since summer that I didn’t need to see every exhibition and that I could be satisfied with the catalogue, I could no longer resist. For Dior is the stuff dreams are made of, whether you prefer designs by CD himself, YSL, Marc Bohan or any of the later designers. Even if you hate most of the stuff that comes down the runway today, there is nothing like the magic of a Dior dress to restore your faith in fashion and elegance.

The exhibition at Les Arts Décoratifs is not without its drawbacks. Although I had booked tickets, it was absolute chaos just getting in and then there are the enormous crowds in the first few rooms which make it almost impossible to see anything. But you forgive them that for the lighting which makes the clothes look even more exquisite. Each room is more beautiful than the previous one until you come to the grand finale – a temple of fashion with the most magnificent dresses – jewel encrusted or plain, dreams in satin, silk, tulle or taffeta – with the shimmering light show in gold overhead and on the walls. There is nothing to do but pause and gaze open-mouthed. I shall never forget the experience and can only say merci, Monsieur Dior.

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My favourite dress in the whole exhibition.

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Written in stone

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The last time I visited Paris, it was winter and a light dusting of snow covered the ground. I couldn’t  wait to take the metro up to Montmartre cemetery, one of the few I haven’t visited, with my Paris guidebook featuring a guided walk there by the great photographer Jean-Loup Sieff, plus flowers for François Truffaut, Hector Berlioz and Dalida who are all buried there. My enthusiasm died a sudden death though when I found the gates firmly locked with a notice that this cemetery, and in fact, all cemeteries and large parts of parks were closed for health and safety reasons. For such a romantic nation, the French have no sense of the poetic at times – what could be more beautiful than funerary monuments in the snow? To paraphrase Henri IV, “Paris vaut bien une jambe cassée.”

Anyway, I’m happy to report that this time there was no snow. In fact, it was the perfect winter’s day and the only decent one of my trip. Returning to Père Lachaise after 16 years, everything felt both familiar and new. It really is a remarkable place and like many great French things, we owe it to Napoleon, or more specifically Nicholas Frochot, after the walls of the notoriously overcrowded Cimetière des Innocents collapsed and he ordered him to create new cemeteries outside the centre including this one, named after Louis XIV’s confessor, Père de la Chaise. Its immediate attraction for me all those years ago was the number of famous people I admire who sleep there – Simone Signoret and Yves Montand, Oscar Wilde, Jim Morrision, Frédéric Chopin, Isadora Duncan, Marcel Proust, Marie Trintignant, Balzac, Edith Piaf and too many others to mention. But one of the great pleasures is just to wander from section to section along its avenues lined with magnificent old trees, stopping to admire any monuments or graves that catch your eye and even imagining the story behind the names.

If you want to go there, I encourage you to get off at Gambetta and walk down the hill which is much less arduous and crowded. You will need a plan which you can find at the entrance at the top or from the conservation office at the bottom. I also recommend a guide like Permanent Parisians or Stories in Stone, both of which are excellent. But also be realistic – there are 108 acres to cover and it’s almost impossible to visit all the graves you want to in one day. And always be prepared for surprises – a cemetery cat greeted me after I unexpectedly found the great Claude Chabrol’s grave on my way to Chopin’s. Pausing, I saw a man with wild curly hair and glasses, carrying a folder coming towards me. When I told him I was now looking for Jim Morrison’s grave, he exclaimed, “Jim is dead?!,” before leading me on a shortcut to find it and telling me all the fascinating stories about Edith Piaf, Marcel Marceau, Chopin and so many others. He works as a guide and loves his job because he has no boss calling him on the phone and covers a huge amount of space walking each day. His secret was revealed when he opened a cigarette box to reveal large amounts of chocolate. He left me to make his way to the crematorium to see the barbecue as he described it but I encountered him again, chatting and laughing with other visitors. A true delight.

As the sun started to set, my feet began to ache and I resigned myself to not seeing all the graves on my list and felt sad at the thought of leaving this place that means so much to me. But the memories of that special day are still so vivid and I’m already thinking about my next trip to Paris when I might finally get to Montmartre.

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Héloïse and Abélard

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Robinson’s phantasmagoric tomb

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Félix Faure, President of the French Republic who may have died after erotic excess with his mistress.

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Vivant Denon

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Memorials to those who died in concentration camps.

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The Communards’ Wall

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Oscar Wilde

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Honoré Daumier’s grave was in a sad state when I first visited but it’s now been restored thanks to donations by those who love his work.
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Jim Morrison

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René Lalique