Otto Preminger’s ‘Laura’ is not only one of the finest noirs but also one of the most popular, even among those who are not die hard fans of the genre like me. Is it the theme tune by David Raskin, or Gene Tierney’s exquisite beauty, or the witty dialogue which crackles throughout? To be honest, it’s all of these and more.
The film opens with a murder mystery. Detective Mark MacPherson (Dana Andrews) is investigating who killed Laura Hunt (Gene Tierney). Could it be her acid tongued friend, Waldo Lydecker (Clifton Webb), her shady fiancé, Shelby (Vincent Price) or someone else? As the mystery deepens, MacPherson finds himself more and more drawn to Laura, reading her letters and even sleeping in the apartment underneath her portrait. She seems to have inspired a strange kind of devotion, even in her housekeeper determined to keep her memory unsullied, and in death, she represents female perfection. But who really was Laura?
I can’t say much more without giving away a major plot twist which would somehow rob the first time viewer of the pleasure of discovering that for him/herself. So I’ll just say that this is a flawless noir, superbly directed by the great Preminger and with equally superb performances from the cast, particularly Clifton Webb whose first major screen role it was. Waldo Lydecker is truly one of the great characters in film, vicious and cynical and unafraid to destroy any potential rivals through the column he writes and his wit. Watching it again recently, I was also struck by the way this film influenced David Lynch in Twin Peaks whose whole plot revolves around the murder of Laura Palmer, another beautiful and enigmatic character who in death exerts a powerful fascination on all those around her but was not quite what she seemed.
A film to fall in love with.